We all have our price-limits, whether or not we stick to a strict budget. But it’s always puzzled me that some people’s price limit for wine never seems to increase ... There is this thing called inflation. You don’t expect your other living expenses to stay the same for years, do you? So why wine?While this is all true, there is no good reason to expect that any price increases are restricted solely to the value of inflation. This is a topic worth having a quantitative look at, particularly for non-necessity goods, like wine. These products may well have different economic behavior to necessity (or staple) goods (for another example, see: How pharmaceutical companies price their drugs).
The American Association of Wine Economists has now published this report:
Neal D. Hulkower (2020) What can I still afford to drink? AAWE Working Paper 254.This report discusses the data used for Neal’s Wine-Searcher article on The cost of drinking wine history, in which he reflects on the sorts of wines he used to drink back in the 1960s and 1970s. In particular, Neal comments on the prices of wine back then compared to now, pointing out in no uncertain terms that, across the board, the increase in price has gone way beyond any possible increase due solely to inflation.
Now, Neal is a mathematician, so we can be sure that he kept quantitative records of the prices he paid for the wines back then, and that he has updated those prices based on the recorded annual inflation since then. For those of you who are interested, the U.S. Bureau of Labor Statistics has a graph showing inflation since 1963 (which is reproduced above).
Neal’s report produces a nice set of tables summarizing all of the data, because that is how it is done in this business. He even has available some pictures of his notebooks and the associated wine labels. A mathematical wine enthusiast, to be sure.
However, I am not a mathematician, I am a biologist. I don’t think in terms of numbers — I use pictures, instead. A picture of a set of numbers is a graph. So, here is my picture of Neal’s numbers. Each point represents one of his 92 wines, with the price for the currently available vintage shown vertically, and Neal’s calculation of the price he originally paid plus the adjustment for inflation (cumulative, up to now) horizontally.
Should wines cost the same now as they did way back when, then the points would lie along the pink line. As you can see, very few of them are anywhere near this line. Indeed, they are all well and truly above that line, meaning that their current prices are outrageous compared to what they were half a century ago, relatively speaking. Put another way, high-quality wine is much less affordable these days.
Let's leave aside the 10 pink points for a moment, and look at the 82 other wines. These points are scattered around the black line on the graph (their line of best mathematical fit). This shows that the current price is related to the original price (accounting for 41% of the variation in price). However, it has been multiplied by a factor of 12, plus an across-the-board increase of $40. That is, to get the modern price of these wines, we need to: increase the original price by inflation, add $40, and then multiply by 12. Times have, indeed, changed.
Now, okay, we need to recognize that Neal drank rather well in his youth. These are not bag-in-box wines we are talking about here. Instead, they are the sorts of wines that a wine enthusiast would have considered good, and worthy of a special occasion. Sadly, I was a bit young to have afforded them back then, and I cannot even think about affording them now.
That leaves us with the 10 wines shown in pink, at the top of the graph. These are what are called “unicorns”, these days. Their prices have no connection at all to their original prices. The modern prices are apparently either set by divine providence, or they are whatever prices their producers thought they can get away with. The people who buy these wines have no sense of value-for-money. I am not one of these people, and apparently neither is Neal.
It is now tempting to try the same thing for myself. I do have some records of the prices of my Australian wines from the 1980s — this would give me 40 years’ worth of inflation to examine, for those wines that are still produced. It might make an interesting comparison.
Wine is not priced to the retail market based solely on input costs.
ReplyDeleteThere is also the “mystique” imbued by marketing.
Consider these economic phenomena:
Veblen goods – http://en.wikipedia.org/wiki/Veblen_good
[Excerpt: “Some types of luxury goods, such as high-end wines, designer handbags, and luxury cars, are Veblen goods, in that decreasing their prices decreases people's preference for buying them because they are no longer perceived as exclusive or high-status products.”]
Giffen goods – http://en.wikipedia.org/wiki/Giffen_good
[Excerpt: “Some types of premium goods (such as expensive French wines, or celebrity-endorsed perfumes) are sometimes claimed to be Giffen goods. It is claimed that lowering the price of these high status goods can decrease demand because they are no longer perceived as exclusive or high status products.”]
In June 1988, Bruce Keppel wrote an article titled “Profit a Key Ingredient of Fine Wines” for the Los Angeles Times “Business” section, profiling Napa Valley vintner Dennis Groth.
Keppel discussed the input costs for wine.
URL: http://articles.latimes.com/print/1988-06-15/business/fi-4284_1_wine-market
In December 2000, William Langewiesche wrote a cover story titled “The Million-Dollar Nose” for The Atlantic magazine, profiling American wine reviewer Robert Parker.
Langewiesche discussed the input costs for wine.
Part One URL: https://www.theatlantic.com/magazine/archive/2000/12/the-million-dollar-nose/378450/
Part Two URL: https://www.theatlantic.com/past/docs/issues/2000/12/langewiesche2.htm
Part Three URL: https://www.theatlantic.com/past/docs/issues/2000/12/langewiesche3.htm
Part Four URL: https://www.theatlantic.com/past/docs/issues/2000/12/langewiesche4.htm
An excerpt:
". . . For those in the business, maintaining that [elite drink image is important not only for commercial reasons but also for reasons of personal prestige. Every stage of the trade is involved in establishing the high prices, but ultimately those prices can be sustained only through the retailers and their sales efforts. The problem for the retailers is that wine -- unlike luxurious hotel rooms and other hyperinflated products generally covered as business expenses -- is usually paid for directly out of the consumer's pocket. This makes for a scary business, especially toward the high end, where The Wine Advocate roams.
"The truth is that even the best wines cost only about $10 a bottle to produce, and they are not inherently rare. If the initial cost is tripled to allow for profits along the path of distribution, one can reasonably conclude that retail prices above $30 are based on speculation, image, and hype."
In March 2011, Lettie Teague wrote a wine column titled “The Most Powerful Grower in Napa” for The Wall Street Journal, profiling Napa Valley wine grape grower Andy Beckstoffer.
Teague discussed the input costs for wine.
URL: http://www.wsj.com/articles/SB10001424052748704893604576200842057088206
An excerpt:
“The Beckstoffer pricing formula calls for the price of a ton of To Kalon Cabernet grapes to equal 100 times the current retail price of a bottle. (This is true of all his heritage vineyards.) For example, if a bottle of Paul Hobbs Beckstoffer To Kalon Cabernet Sauvignon costs $250 (as it did at my local store) then Mr. Hobbs paid $25,000 for a ton of the fruit plus a base amount per acre that may vary. By contrast, the average price per ton of (average) Napa Cabernet is just north of $4,000.”
Erratum
ReplyDeleteThe excerpt from The Atlantic is missing one editing mark: a bracket to close the inserted text.
"For those in the business, maintaining that [elite drink] image is important not only for commercial reasons but also for reasons of personal prestige."
Here's a whatif. What if you took Screaming Eagle labels and pasted them on any bottle of $20 - $30 Cabernet, of which there are many great ones. In my opinion, very few would notice. Imagination, as you say, is a large part of the aura surrounding upscale wines. Also, does a $250 bottle really provide 10 times the wine experience of a $25 bottle. The answer is rather obvious. There are those who can only appreciate wines with their wallets, never mind the real quality.
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ReplyDelete[The original comment has been deleted to correct for a typo. Once again . . .]
ReplyDeleteDear Anonymous:
Not to be a humble bragger . . . but I was on the mailing list for Screaming Eagle since "day [vintage] one," courtesy of the generosity of winery founder Jean Phillips.
I have opened and sampled from my annual allocations one bottle from each of the first 10 or so vintages.
So I have first-person familiarity and "skin in the game" in answering your question.
Simply stated, "few" would notice because few in the world have any experience sampling the wine, from which to form a mental "compare and contrast" opinion amongst its "peer group."
( Aside: Jancis Robinson MW tasted Screaming Eagle in the company of other so-called California "cult" wines and found them delightful.
See her 1999 Los Angeles Times article titled “Cult Cabs: Are These America's First Growths?”
https://www.latimes.com/archives/la-xpm-1999-jun-27-fo-50575-story.html )
The early vintages were made in quantities so small (around 500 cases annually) that mailing list patrons were allocated only 3 bottles per vintage -- Jean's preferred way to "share the wealth."
A distinct minority of those mailing list patrons never opened and savored them. Instead, they "flipped" them for handsome profits when sold at wine auctions.
Screaming Eagle became a real world example of this financial markets anecdote:
"Trading Sardines • Novel Investor"
https://novelinvestor.com/happy-hour-trading-sardines/#:~:text=There%20is%20an%20old%20story,a%20can%20of%20sardines%20soared.&text=These%20are%20not%20eating%20sardines%2C%20they%20are%20trading%20sardines.%E2%80%9D
~~ Bob
You can say the same thing about art or Tesla stock
ReplyDeleteDefinitely so! These are non-necessity goods. Surprisingly, you can probably say the same thing about private health expenses, even though these do seem to be at least somewhat necessary.
DeleteThis comment has been removed by the author.
ReplyDeleteThe distinction between a consumer packaged good (e.g., wine) and art is: to enjoy the former, you have to destroy it (meaning: drink it).
ReplyDeleteArt survives being "consumed" (meaning: gazed upon) and is passed along to the next owner.